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008 081026s2001 ctu |b 001 0 eng
020 _a0300085257 (cloth : alk. paper)
020 _a0300085265 (pbk.)
039 9 _a201402040053
_bVLOAD
_c201005291357
_dmalmash
_c200810280856
_dvenkatrajand
_c200810261012
_dNoora
_y200810261005
_zNoora
050 0 0 _aPN6112
_b.T42 2001
245 0 0 _aTheater of the Avant-Garde, 1890-1950
_b: A Critical Anthology /
_cedited by Bert Cardullo and Robert Knopf.
260 _aNew Haven :
_bYale University Press,
_cc2001.
300 _aix, 523 p. ;
_c24 cm.
504 _aIncludes bibliographical references (p. [503]-513) and index.
520 _aThis critical anthology of avant-garde drama offers comprehensive coverage of that distinctively twentieth-century tradition. It includes the full texts of sixteen important plays, each preceded by a historical-critical introduction and followed by an essay, often written by the playwright, that elaborates on the dramatic and aesthetic issues raised by the play. Cardullo and Knopf, in making plays and documents of the avant-garde available in one collection for the first time, underscore the place and importance of the movement. In a provocative general introduction to the book, Bert Cardullo traces the history of the avant-garde tradition and argues for a revisionist history of modern drama that would acknowledge the innovative contributions of the avant-garde. The anthology, which presents examples of French and Russian Symbolism, Italian Futurism, German Expressionism, and Dada-Surrealism, as well as work by such seminal figures as Jarry, Strindberg, Artaud, and Kandinsky, illuminates the astonishing daring of these writers from many Western countries and diverse theatrical movements.
650 0 _aDrama
_y20th century.
_943566
650 0 _aExperimental drama
_xHistory and criticism.
_943567
942 _2lcc
_n0
_cBK
999 _c19965
_d19965