000 | 01980cam a2200229 a 4500 | ||
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001 | vtls000001207 | ||
003 | VRT | ||
005 | 20250102224541.0 | ||
008 | 081026s2001 ctu |b 001 0 eng | ||
020 | _a0300085257 (cloth : alk. paper) | ||
020 | _a0300085265 (pbk.) | ||
039 | 9 |
_a201402040053 _bVLOAD _c201005291357 _dmalmash _c200810280856 _dvenkatrajand _c200810261012 _dNoora _y200810261005 _zNoora |
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050 | 0 | 0 |
_aPN6112 _b.T42 2001 |
245 | 0 | 0 |
_aTheater of the Avant-Garde, 1890-1950 _b: A Critical Anthology / _cedited by Bert Cardullo and Robert Knopf. |
260 |
_aNew Haven : _bYale University Press, _cc2001. |
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300 |
_aix, 523 p. ; _c24 cm. |
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504 | _aIncludes bibliographical references (p. [503]-513) and index. | ||
520 | _aThis critical anthology of avant-garde drama offers comprehensive coverage of that distinctively twentieth-century tradition. It includes the full texts of sixteen important plays, each preceded by a historical-critical introduction and followed by an essay, often written by the playwright, that elaborates on the dramatic and aesthetic issues raised by the play. Cardullo and Knopf, in making plays and documents of the avant-garde available in one collection for the first time, underscore the place and importance of the movement. In a provocative general introduction to the book, Bert Cardullo traces the history of the avant-garde tradition and argues for a revisionist history of modern drama that would acknowledge the innovative contributions of the avant-garde. The anthology, which presents examples of French and Russian Symbolism, Italian Futurism, German Expressionism, and Dada-Surrealism, as well as work by such seminal figures as Jarry, Strindberg, Artaud, and Kandinsky, illuminates the astonishing daring of these writers from many Western countries and diverse theatrical movements. | ||
650 | 0 |
_aDrama _y20th century. _943566 |
|
650 | 0 |
_aExperimental drama _xHistory and criticism. _943567 |
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942 |
_2lcc _n0 _cBK |
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999 |
_c19965 _d19965 |