000 | 01424pam a2200229 a 4500 | ||
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001 | vtls000001240 | ||
003 | VRT | ||
005 | 20250102223849.0 | ||
008 | 081026r20012000enk | 000 0 eng d | ||
020 | _a1903436427 | ||
020 | _a1903436435 pbk | ||
039 | 9 |
_a201402040054 _bVLOAD _c201006060857 _dmalmash _c200810281319 _dvenkatrajand _c200810261315 _dNoora _y200810261311 _zNoora |
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050 |
_aPR2813 _b.A2S5 2000 |
||
100 | 1 |
_aShakespeare, William, _d1564-1616. _91043 |
|
240 | 1 | 0 |
_aKing Henry IV. _nPart 1 |
245 | 1 | 0 |
_aKing Henry VI, Part 1 / _cedited by Edward Burns |
260 |
_aLondon : _bArden Shakespeare, Thomson Learning, _c2001 |
||
300 |
_axiv, 345 p. ; _c21 cm. |
||
520 | _aA fresh look at a play usually regarded as the first component of a three-part historical epic, this edition argues that Henry VI Part 1 is a 'prequel', a freestanding piece that returns for ironic and dramatic effect to a story already familiar to its audience. The play's ingenious use of stage space is closely analysed, as is its manipulation of a series of setpiece combats to give a coherent syntax of action. Discussion of the dramatic structure created by the opposing figures of Talbot and Jeanne la Pucelle, and exploration of the critical controversies surrounding the figure of Jeanne, lead to a reflection on the nature of the history play as genre in the 1590s. | ||
700 | 1 |
_aBurns, Edward, _931484 |
|
942 |
_2lcc _n0 _cBK |
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999 |
_c13536 _d13536 |