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008 090103s1995 enka |b 000 0 eng d
020 _a0500016755
020 _a0500282943 (pbk.)
020 _a9780500016756 (hbk.)
039 9 _a201402040121
_bVLOAD
_c201006120959
_dmalmash
_c200901191159
_dvenkatrajand
_c200901031035
_dvenkatrajand
_y200901031034
_zvenkatrajand
050 0 _aNK3636.5.A2
_bK4613 1995
100 1 _aKhatibi, Abdelkebir,
_d1938-
_925570
240 1 0 _aArt calligraphique arabe.
_lEnglish
245 1 4 _aThe Splendour of Islamic Calligraphy /
_cAbdelkebir Khatibi, Mohammed Sijelmassi.
250 _aRev. and expanded ed.
260 _aLondon :
_bThames and Hudson,
_cc1995.
300 _a239 p. :
_bill. (some col.) ;
_c31 cm.
504 _aIncludes bibliographical references.
505 _aTracing the origins: legend and epigraphy; myths of origin; tawqaf and istillah; epigraphical confusions. The proportions of the line: the alif module; the geometric interplay; colour; miniature and arabesque; the pen. Schools and styles: typology; meaning and the written word; diacritical signs; kufic and naskhi; ibn Muqla; ibn al-Bawweb; calligraphy and history. Symbolism of the page: the spell of the face; jafr, or the science of letters; futuhat, or isolated letters; the bismillah; the margin; the signature. In the sight of Allah: a delicate vibration; ornamentation of buildings. The architectural context: landmarks; styles. Contemporary painting: zenderoudi; koraishi; boullata.
520 _aCalligraphy, the art which combines visual image and written word, is perhaps at its most brilliant in the arts of Islam. This is clearly evident on the pages of this book, widely acclaimed on first publication as the most sumptuous and beautiful study ever produced on the subject. Now available again, it combines numerous illustrations of Arabic scripts with an informative background history and a thorough analysis of the geometrical and ornamental principles involved in the calligraphic art.
650 0 _aIslamic calligraphy.
_925571
700 1 _aSijelmassi, Mohamed.
_925572
700 1 _aHughes, James.
_925573
700 1 _aEmory, E. J.
_925574
942 _2lcc
_n0
_cBK
999 _c10593
_d10593