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001 | vtls000001228 | ||
003 | VRT | ||
005 | 20250102223521.0 | ||
008 | 081026s2000 enka | 001 0 eng d | ||
020 | _a1903436249 (pbk.) | ||
020 | _a1903436257 (hbk.) | ||
039 | 9 |
_a202301040955 _bshakra _c201402040054 _dVLOAD _c201006060923 _dmalmash _c200810281547 _dvenkatrajand _y200810261151 _zNoora |
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050 |
_aPR2817 _b.A2M39 2000 |
||
100 | 1 |
_aShakespeare, William, _d1564-1616. _91043 |
|
240 | 1 | 0 | _aKing Henry VIII |
245 | 1 | 0 |
_aKing Henry VIII (All is true) / _cWilliam Shakespeare and John Fletcher ; edited by Gordon McMullan. |
246 | 3 | _aAll is true | |
260 |
_aLondon : _bArden Shakespeare, _cc2000. |
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300 |
_axxiii, 506 p. : _bill. ; _c21 cm. |
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504 | _aIncludes bibliographical references and index. | ||
520 | _aKing Henry VIII has one of the fullest theatrical histories of any play in the Shakespeare canon, yet has been consistently misrepresented, both in performance and in criticism. This edition offers a new perspective on this ironic, multi-layered, collaborative play, revealing it as a complex meditation on the progress of Reformation which sees English life since Henry VIII's day as a series of bewildering changes in national and personal allegiance and represents 'history' as the product of varied and contradictory testimony. McMullan makes a powerful claim for the rehabilitation of Henry VIII, providing the fullest performance history of any edition to date and reading the work not as a marginal 'late' Shakespeare play but as a play which is paradigmatic of the achievement of Renaissance drama as a whole.'This is a staggeringly brilliant, captivating edition that will undoubtedly occasion a huge surge of critical interest in this neglected play. For those of use who have never taken Henry VIII very seriously ' perhaps dismissing it as a late collaborative play of no consequence or as conservative propaganda ' McMullan's introduction is genuinely revelatory.' Eric Rasmussen, University of Nevada at Reno, Shakespeare Survey | ||
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_2lcc _n0 _cBK |
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999 |
_c10285 _d10285 |