The Two Noble Kinsmen / John Fletcher and William Shakespeare ; edited by Lois Potter.
Material type: TextPublication details: London : Arden Shakespeare, 2002Description: xv, 395 p. ill. ; 21 cmISBN:- 1904271189 (pbk)
- 1904271170 (hbk)
- PR2870 .A2F54 1997
Item type | Current library | Call number | Copy number | Status | Barcode | |
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Books | Library First Floor | PR2870 .A2F54 1997 (Browse shelf(Opens below)) | 1 | Available | 7132 | |
Books | Library First Floor | PR2870 .A2F54 1997 (Browse shelf(Opens below)) | 2 | Available | 7133 |
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PR2848 Shakespeare's Sonnets / | PR2848 .S45 1977 Shakespeare:The Sonnets | PR2848 .S45 1977 Shakespeare:The Sonnets | PR2870 .A2F54 1997 The Two Noble Kinsmen / | PR2870 .A2F54 1997 The Two Noble Kinsmen / | PR2877 .L3 1980 Tales from Shakespeare: | PR2877 .L3 1980 Tales from Shakespeare: |
This ed. first published 1997
Includes bibliographical references and index.
This is the first Arden edition of The Two Noble Kinsmen. Largely ignored for centuries because of doubts about its authorship and its subject matter, once considered distasteful, it is surprisingly relevant to many current interests. Lois Potter's valuable edition gives a full exposition of contemporary claims as to authorship and genre, discussing all the elements of collaborative writing ' not only the two authors themselves but their historical, theatrical and literary contexts. She argues that, complex as the collaboration process was, the end product can be discussed as a coherent work because of and not despite the circumstances of its production. Potter supplies new information on sources and, drawing on her extensive experience as a theatre critic, discusses the play's afterlife and compares a number of recent stagings of the play.'Potter's The Two Noble Kinsmen...shows how, even in the case of a play with a comparatively limited performance history, understanding of performance can inform every aspect of an edition...as usual with the Arden series, it is the amplitude and intelligence of the commentary that is so striking.'Peter Holland, Times Literary Supplement
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