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King Henry VI part 3 / edited by John D. Cox and Eric Rasmussen.

By: Contributor(s): Material type: TextTextPublication details: London : Arden Shakespeare, 2001.Description: xvii, 460 p. : ill., facsim., geneal. ; 21 cmISBN:
  • 1903436303
  • 1903436311 (pbk.)
Uniform titles:
  • King Henry VI. Part 3
LOC classification:
  • PR2813 .A2S5 2001
Summary: In their lively and engaging edition of this sometimes neglected early play, Cox and Rasmussen make a strong claim for it as a remarkable work, revealing a confidence and sureness that very few earlier plays can rival. They show how the young Shakespeare, working closely from his chronicle sources, nevertheless freely shaped his complex material to make it both theatrically effective and poetically innovative. The resulting work creates, in Queen Margaret, one of Shakespeare's strongest female roles and is the source of the popular view of Richard Neville, Earl of Warwick as 'kingmaker'. Focusing on the history of the play both in terms of both performance and criticism, the editors open it to a wide and challenging variety of interpretative and editorial paradigms.
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Holdings
Item type Current library Call number Copy number Status Barcode
Books Library First Floor PR2813 .A2S5 2001 (Browse shelf(Opens below)) 1 Available 7166
Books Library First Floor PR2813 .A2S5 2001 (Browse shelf(Opens below)) 2 Available 7169

Includes bibliographical references (p. 430-452)

In their lively and engaging edition of this sometimes neglected early play, Cox and Rasmussen make a strong claim for it as a remarkable work, revealing a confidence and sureness that very few earlier plays can rival. They show how the young Shakespeare, working closely from his chronicle sources, nevertheless freely shaped his complex material to make it both theatrically effective and poetically innovative. The resulting work creates, in Queen Margaret, one of Shakespeare's strongest female roles and is the source of the popular view of Richard Neville, Earl of Warwick as 'kingmaker'. Focusing on the history of the play both in terms of both performance and criticism, the editors open it to a wide and challenging variety of interpretative and editorial paradigms.

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