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Shakespeare's history plays / edited and introduced by R.J.C. Watt.

Material type: TextTextSeries: Longman critical readersPublication details: Harlow : Longman, 2002.Description: vi, 246 p. ; 24 cmISBN:
  • 0582418313
Subject(s): LOC classification:
  • PR2828 S475 2002
Contents:
Introduction 1. TOPICAL IDEOLOGY: WITCHES, AMAZONS, AND SHAKESPEARE'S JOAN OF ARC Gabriele Bernhard Jackson 2. A MINGLED YARN: SHAKESPEARE AND THE CLOTH WORKERS Richard Wilson 3. DESCANTING ON DEFORMITY: RICHARD III AND THE SHAPE OF HISTORY Marjorie Garber 4. STAGES OF HISTORY: IDEOLOGICAL CONFLICT, ALTERNATIVE PLOTS Phyllis Rackin 5. ENGENDERING A NATION: RICHARD II Jean E. Howard and Phyllis Rackin 6. PRINCE HAL'S FALSTAFF: POSITIONING PSYCHOANALYSIS AND THE FEMALE REPRODUCTIVE BODY Body Valerie Traub 7. CARNIVAL AND HISTORY: HENRY IV Graham Holderness 8. THE FUTURE OF HISTORY: 1 AND 2 HENRY IV Kiernan Ryan 9. A TALE OF TWO BRANAGHS: HENRY V, IDEOLOGY AND THE MEKONG AGINCOURT Chris Fitter 10. BACK BY POPULAR DEMAND: THE TWO VERSIONS OF HENRY V Annabel Patterson 11. 'WILDEHIRISSHEMAN': COLONIALIST REPRESENTATION IN SHAKEPEAR'S HENRY V David J. Baker 12: HISTORY AND IDEOLOGY, MASCULINITY AND MISCEGENATION: THE INSTANCE OF HENRY V Alan Sinfield and Jonathan Dollimore
Summary: Shakespeare's history plays are central to his dramatic achievement. In recent years they have become more widely studied than ever, stimulating intensely contested interpretations, due to their relevance to central contemporary issues such as English, national identities and gender roles. Interpretations of the history plays have been transformed since the 1980s by new theoretically-informed critical approaches. Movements such as New Historicism and cultural materialism, as well as psychoanalytical and post-colonial approaches, have swept away the humanist consensus of the mid-twentieth century with its largely conservative view of the plays. The last decade has seen an emergence of feminist and gender-based readings of plays which were once thought overwhelmingly masculine in their concerns. This book provides an up-to-date critical anthology representing the best work from each of the modern theoretical perspectives. The introduction outlines the changing debate in an area which is now one of the liveliest in Shakespearean criticism. R.J.C. Watt is Senior Lecturer in English at the University of Dundee.
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Item type Current library Call number Copy number Status Barcode
Books Library First Floor PR2828 S475 2002 (Browse shelf(Opens below)) 1 Available 7330
Books Library First Floor PR2828 S475 2002 (Browse shelf(Opens below)) 2 Available 7331
Books Library First Floor PR2828 S475 2002 (Browse shelf(Opens below)) 3 Available 7329
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PR2827.A2 D68 2009 A midsummer night's dream / PR2828 .A2H85 2003 Much Ado About Nothing / PR2828 .A2H85 2003 Much Ado About Nothing / PR2828 S475 2002 Shakespeare's history plays / PR2828 S475 2002 Shakespeare's history plays / PR2828 S475 2002 Shakespeare's history plays / PR2828 .S539 1994 Othello /

Introduction 1. TOPICAL IDEOLOGY: WITCHES, AMAZONS, AND SHAKESPEARE'S JOAN OF ARC Gabriele Bernhard Jackson 2. A MINGLED YARN: SHAKESPEARE AND THE CLOTH WORKERS Richard Wilson 3. DESCANTING ON DEFORMITY: RICHARD III AND THE SHAPE OF HISTORY Marjorie Garber 4. STAGES OF HISTORY: IDEOLOGICAL CONFLICT, ALTERNATIVE PLOTS Phyllis Rackin 5. ENGENDERING A NATION: RICHARD II Jean E. Howard and Phyllis Rackin 6. PRINCE HAL'S FALSTAFF: POSITIONING PSYCHOANALYSIS AND THE FEMALE REPRODUCTIVE BODY Body Valerie Traub 7. CARNIVAL AND HISTORY: HENRY IV Graham Holderness 8. THE FUTURE OF HISTORY: 1 AND 2 HENRY IV Kiernan Ryan 9. A TALE OF TWO BRANAGHS: HENRY V, IDEOLOGY AND THE MEKONG AGINCOURT Chris Fitter 10. BACK BY POPULAR DEMAND: THE TWO VERSIONS OF HENRY V Annabel Patterson 11. 'WILDEHIRISSHEMAN': COLONIALIST REPRESENTATION IN SHAKEPEAR'S HENRY V David J. Baker 12: HISTORY AND IDEOLOGY, MASCULINITY AND MISCEGENATION: THE INSTANCE OF HENRY V Alan Sinfield and Jonathan Dollimore

Shakespeare's history plays are central to his dramatic achievement. In recent years they have become more widely studied than ever, stimulating intensely contested interpretations, due to their relevance to central contemporary issues such as English, national identities and gender roles. Interpretations of the history plays have been transformed since the 1980s by new theoretically-informed critical approaches. Movements such as New Historicism and cultural materialism, as well as psychoanalytical and post-colonial approaches, have swept away the humanist consensus of the mid-twentieth century with its largely conservative view of the plays. The last decade has seen an emergence of feminist and gender-based readings of plays which were once thought overwhelmingly masculine in their concerns. This book provides an up-to-date critical anthology representing the best work from each of the modern theoretical perspectives. The introduction outlines the changing debate in an area which is now one of the liveliest in Shakespearean criticism. R.J.C. Watt is Senior Lecturer in English at the University of Dundee.

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