Repositioning Shakespeare : National Formations, Postcolonial Appropriations / Thomas Cartelli.
Material type: TextPublication details: London : Routledge, c1999.Description: xi, 233 p ; 23 cmISBN:- 0415191343
- 0415194989 (pbk.)
- PR2971 .U6C37 1999
Item type | Current library | Call number | Copy number | Status | Barcode | |
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Books | Library First Floor | PR2971 .U6C37 1999 (Browse shelf(Opens below)) | 1 | Available | 7394 | |
Books | Library First Floor | PR2971 .U6C37 1999 (Browse shelf(Opens below)) | 2 | Available | 7395 |
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PR2937 H65 1994 The authorship of Shakespeare's plays : a socio-linguistic study / | PR2937 H65 1994 The authorship of Shakespeare's plays : a socio-linguistic study / | PR2971 .U6C37 1999 Repositioning Shakespeare : National Formations, Postcolonial Appropriations / | PR2971 .U6C37 1999 Repositioning Shakespeare : National Formations, Postcolonial Appropriations / | PR2981 .D73 2000 Shakespeare : The Comedies / | PR2981 .D73 2000 Shakespeare : The Comedies / | PR2981 .S539 2009 Shakespeare's Comedies / |
Includes bibliographical references and index.
Repositioning Shakespeare offers a far-reaching assessment of how the bard has been appropriated within post-colonial contexts, especially in the Unites States. Thomas Cartelli explores how Shakespeare is repositioned as contemporary cultures seek to renegotiate Shakespeare's standing as a privieged site of authority within their own nation formations. Cartelli provides innovative readings of texts and events that position themselves in relation to Shakespeare, such as: polemical essays by Walt Whitman the nineteenth-century play, 'Jack Cade', commissioned and staged by the first major American Shakespeare actor an essay on labour-management reform by social activist Jane Addams novels by Aphra Behn, Ngugi Wa Thiong'o, Michelle Cliff, Tayeb Salih, Nadine Gordimer and Robert Stone the 1849 Astor Place Riot films by James Ivory and Gus Van Sant Repositioning Shakespare makes an original contribution to debates about the cultural uses of Shakespeare, as well as the question of what counts as postcolonial.
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